
The pieces above represent, from left to right, a woman napping under a tree, a dancer, and a mosque.

I really am attempting to work with the materials at hand in the way that local artists would work with them. The clay is worlds apart from what I'm used to, and it has taken some getting used to. As I usually do, I'm trying to let the clay speak for itself, emphasizing its characteristics through carving, texturizing, and some staining. But I want to enhance the clay, not cover it up.
Pieces are not 'pampered' here during the firing process. They are stacked one atop the other, dozens high, until the kiln is full. No one seems to worry about chipping off bits, or colours rubbing off, or much of anything. It's not the place for delicate pieces, for sure. Amazingly, what goes into the kiln usually comes out just fine, in spite of the rough treatment. This clay, although very sticky and full of bits & bubbles, seems very tough. So I have faith all my work will fire well. Whether it looks like anything good after all is said and done.... well, that's another story.
All for today (I had another pic to add of an interesting insect visitor, but it's lost.... tomorrow).
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